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supported by 8 fans who also own “Almost Perfect”
Amazing. Hushed but dark, a cold, bright spark on a moonless night. Both restrained and deeper than it seems at first.
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supported by 6 fans who also own “Almost Perfect”
first saw Hilary when she toured Europe with Low in 2019, saw her 4 times on that tour. extraordinary. latest LP, Birthmarks, sees her on the edge of music. utterly perfect
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Land of No Junction
by Aoife Nessa Frances
supported by 5 fans who also own “Almost Perfect”
This is absolute genius. Each song has its own unique mood, but what they all have in common is that they take their time, allowing the lush, patient, dazzlingly imaginative arrangements to gradually blossom. There are a dizzying variety of instrumental textures, pleasure and wonderment around every turn. I'm getting hints of Will Oldham circa "Arise Therefore," though that album is much more spare. Proof that "experimental" doesn't necessarily mean noisy.
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Guilty of Everything
by Nothing
Philly-based Nothing craft atmospheric rock that bridges melodic and introspective with loud, fuzzy and rawkus.
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Dreamy and ambient shoegaze that skips and skitters through various experimental passages.
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Disturbing Dreams
by The Kartetch
Knotty alt-rock with corkscrewing guitars and steely vocals on an album that packs a punch.
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supported by 5 fans who also own “Almost Perfect”
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